Signature filmUp to 90 seconds
The full treatment — extended narrative, multiple scenes, and the deepest revision cycle we offer.
A small studio that plans, generates, and finishes AI video for brands who need it to look expensive. Directed shot by shot, graded, sound-designed — same standard, every time.
Different industries, lengths and briefs. Every clip planned, directed and graded like it was the only one that mattered.
A sample of what's shipped recently, in widescreen and vertical. Tap any frame to watch it full size.
Priced by the time and resources each output takes. The effort and the quality stay the same across all four.
The full treatment — extended narrative, multiple scenes, and the deepest revision cycle we offer.
A full narrative spot, storyboarded and directed shot by shot, with sound design and colour grade.
The same craft, cut down and paced for feeds, stories, and pre-roll.
Native-feeling creator-style content, generated instead of filmed — built for performance feeds.
Three stages, one point of contact, and no surprise revisions.
We work out the story, the shots, and the references in one working session — usually a day, sometimes two.
Every shot is generated, reviewed, and re-directed until it matches the brief — not just the prompt.
Graded, sound-designed, and exported for whatever it's running on, with two rounds of revisions included.
Unedited notes from people who've actually shipped a project with us.
We needed a Diwali campaign film with nine days on the clock and a fraction of our usual budget. What came back looked like we'd shot it in Goa with a full crew. Engagement on that reel was double anything we'd posted before.
I'll admit I was sceptical — most "AI video" I'd seen looked like AI video. This didn't. We went through two rounds of revisions before it felt exactly right, a bit longer than I'd hoped, but the final cut sat comfortably next to work from agencies charging four times as much.
We ran the UGC package as a paid social test — six clips, all native creator style. Cost per click dropped by almost a third against our usual influencer content, and nobody in the comments could tell it wasn't a real creator filming.
Korean beauty audiences are unforgiving about production value — if it looks cheap, it dies in the comments. This didn't just survive. People asked which studio shot it, and I still haven't corrected them.
The brief call was the most useful hour I spent on this whole launch. They asked questions our last two production houses never bothered with, and it showed in the final film — it actually looked like our app, not a stock version of it.
We needed aftermovie-style content for a festival that hadn't happened yet, which is a strange brief to hand anyone. It came back better than most real aftermovies I've seen. Delivery landed a day past the estimate, but they flagged that in advance, so it wasn't a surprise.
In association with